Eva Beazar (1987) is a visual artist.
She explores time as a personal experience rather than an abstract concept. In her work, time is made tangible through images and moving visuals, revealing its fleeting nature, variability, and elusive rhythms. 

The work is tactile and fragile, inviting touch and engagement, while maintaining a sense of vulnerability. She is drawn to the tension between clock time and inner time, and to the delicate balance between slowness, acceleration, and stillness.

Her practice often grows out of moments encountered during walks, observations captured in words, sketches, or photographs. These elements are combined across different media, allowing the final work to gradually take shape.

In recent years, she has participated in several residencies, including WIELS  and KOAS in Elsene. She has also taken part in various exhibitions and talks, and serves as editor and final responsible editor at Coconuts Magazine, which is published annually.

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I often wander through the streets, searching for meaning — for a way to understand the world. What I encounter along the way, I translate into my work: through photographs, images, texts, and video fragments.

It is an attempt to grasp the world, to give sense to what I see.
Through my personal experiences with fictional worlds, I sometimes perceive reality differently from others. In my art, I try to translate these inner worlds and add a new dimension to them. My work moves between different realities — a search for connection between the tangible and the elusive.

A recurring theme in my work is the waiting room. I have often found myself there — literally, but also figuratively. The waiting room is, for me, an in-between space, a place of stillness and expectation. Sometimes you wait for something that never comes; sometimes waiting brings a sense of presence within absence. It is a moment when time slows down, when you become aware of breath, sound, and light.

In my work, I explore how such spaces can be played with — how image, sound, and material can evoke an atmospherethat makes the tension of waiting, of silence and attention, perceptible. My works are fragile, vulnerable, and tactile; they invite touch, stillness, and contemplation.

The waiting room, the act of walking, the search for meaning — they are all connected by the same desire: to understand the world, or to offer a new way of seeing it.

RESIDENCIES

KAOS, 2023
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WIELS, 2020
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To Infinity and Beyond, Breda Photo, 2018
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EducatioN

2018 Master Visual Arts – Photography, LUCA school of Arts Brussels (BE)

2016 Bachelor Visual Arts – Photography, LUCA School of Arts Brussels (BE)